Wednesday, January 29, 2020

The education system Essay Example for Free

The education system Essay Assess the view that ethnic minority pupils are discriminated against in the education system There are currently significant differences in the educational attainment of ethnic minority pupils compared to their white peers, as shown in the statistics from Social Trends. There are many possible factors that may account for this and for the purposes of this essay I will explore the idea of discrimination against ethnic minority pupils. Some pupils may be treated differently either due to racism or inaccurate views made by the teachers which lead to labelling. The Swan Report was done in 1985 in Britain after it was felt that research should be conducted into the differing attainments of ethnic minority pupils. This report concluded that there was not much racism in Britain at that time and if there was, it may have been from resources such as books so is consequently dying out. Due to the age of the Swan Report, its findings may not be as valid today, so this would indicate that the amount of racism, if any, would have decreased dramatically. It would therefore, be fair to say that the changes in the attitudes of people in society has lead to ethnic minority pupils no longer being discriminated against. However, Coard felt that there was racism being put through the ethnocentric education, it focused on white people, so it caused racism from the teachers and peer groups. This view argues that ethnic minority pupils are being discriminated against, but I feel it is difficult to state whether this is knowingly happening. For example, there is a wide range of ethnic minority pupils from a range of backgrounds in Britain today so it would be impractical to include work that is related to all of the cultures. As we all live in England it seems natural to give slightly more attention to the history of this country. Also, an explicit criticism of Coards work would be that it is not scientific as it is only based on his views. Overall, I feel that what Coard has described is not discrimination, but he has simply looked at the education system from a negative angle. By the 1980s, Troyna and Carrington found that there was not overt racism, but covert racism. By this they meant that people were saying, Im not racist, but This indicates that at this time, people were aware that it was wrong to be racist, but they still had views against ethnic minorities. This shows that there may have been discrimination against ethnic minorities, but it was not intentional. They felt that schools needed to do Anti-Racist Education, this would involve more strategies to deal with overt racism and would completely remove any barriers that were apparent between the cultures. From this, it can be said there is very little or no discrimination against ethnic minorities as schemes have even been introduced to reduce the small amount of covert racism.

Tuesday, January 21, 2020

Separate Peace Essay: Influence of the War on Characters

Influence of the War on Characters Historical events can play an important role in a person's life. In A Separate Peace, the whole atmosphere at the Devon School changed as World War II progressed. The boys either eagerly awaited the draft, enlisted in the area of war they wanted, or did not want to go at all. The students at the school created new activities for enjoyment since the customary past times could not be played due to a lack of materials. When a friend "returns" from the war, the boys at Devon got a real sense of what the war was like. The boys learned that going to war was not all fun and games like they had anticipated. The influence World War II had on the characters in A Separate Peace and on life at the Devon School was clearly depicted through their actions and activities. The beginning of the novel allows the reader to get a feel of what the Devon School was like during that time period. Students of "war age" were constantly leaving Devon to go to the war, either by choice or by draft. Whether kids wanted to go or not, the anticipation was always present. As winter approached the Devon school, so did the encroaching shadow of the war. The boys were called out to help shovel free a troop train trapped by snow-blocked tracks. The experience "brings the war home" for all of them, and they realized they would have to face a crucial decision very soon. Maturity leapt upon them, whether they're ready for it or not, at the tender age of seventeen. The excitement of the war had gotten to everybody at the school, including the staff, and made it a chaotic place. The boys wer... ...as different because of his experience. ****I like how you incorporate quotes from the book into your own thoughts in these sentences: When a friend "returns" from the war, the boys at Devon got a real sense of what the war was like. The boys were called out to help shovel free a troop train trapped by snow-blocked tracks. The experience "brings the war home" for all of them, and they realized they would have to face a crucial decision very soon. ****You need to be consistent with the tenses. To solve the problem you can do one of two things. You can change the tense of the verb in the quotation and enclose it in brackets to show that you changed the tense. (e.g. "return[ed]" "[brought]") Or you can just change the tense of all your discussion to present tense, which is commonly done when discussing books.

Monday, January 13, 2020

Cezanne’s Apple Notes and Quotes Essay

Schapiro’s psychoanalytic approach, that is, his search for the underlying meaning and relevance to the painting, * Thesis: While Schapiro’s argument shows a well-considered analysis of the artist’s life as a source of interpretation of Cezanne’s work, much of it is based on suggestion and fantasy. As in all historical interpretation, Cezanne’s work should be viewed within the context of the artist’s historical and biographical framework, but with a formalist analysis of the works that enables the viewer to interpreted not only their personal value, but their intended communication. riticism of Cezanne’s art cannot and, I believe, should not be limited by critical schools of thought. Also, though perhaps it has been the nature of critics to make vastly differentiating interpretations of Cezanne’s work, both forms of analysis add to the richness of the dialogue that can expand one’s preconceived notions of the work and widen the scope of understanding and perspective. Contrary to views of critics such as Roger Fry whose formalist analysis deduces Cezanne’s works as only a problem of form and color, Schapiro seeks more symbolist meaning within the subject matter chosen by the artist. * Schapiro argues that the objects placed within the still-life display â€Å"a game of an introverted personality who has found for his art of representation an objective sphere in which he feels self-sufficient, masterful, free from disturbing other spheres. Schapiro believes that fruit is never the theme, rather, they are a symbol of his emotion and personal concerns. * Schapiro makes the case against a purely formal interpretation: â€Å"It might be supposed that in still-life painting the meaning of the work is merely the sum of the denotation of the separate parts, yet there may be connotations and a comprehensive quality arising from the combined objects and made more visible and moving through the artistic conception. †¦ (i. e. black clock 1870, still w. compotier 79-82, blue vase 83-85, still w. cupid 95, or pples and oranges 95) There is in still like a unity of things like the unity of a scene of action, one must recognize the context of the objects in reality, their connection with a mood or interest or type of occasion. (24) * Cannot look at these as purely sexual, an element in a painting serves more than one function. Apples could be chosen means of emotional detachment and self-control, the fruit providing an objective field of colors, and sensuous richness lacking in his earlier passionate art and not fully realized in his later nude paintings. Sexual displacement could be an unconscious factor. Certainly, Cezanne has a strange relationship with the human figure in his earlier works. In his early works, sexual gratification is directly displayed or implied. A modern Olympia (1873), Bacchanal, and his other pictures of the nudes show that he could not convey his feeling for women without anxiety. In his painting of the nude woman, where he does not produce an old work, he is most often constrained or violent. there is no middle ground of simple enjoyment. In Leda and the Swan, the writer argues that it is a striking instance of the defusing of a sexual theme through replacement of a figure by still-life objects. Cezanne’s fruit is not yet fully part of human life. Suspended between nature and use, it exists as if for contemplation alone. (25) In Cezanne’s painting of landscape, too, and sometimes of the human being, we recognize the same distinctive distance from action and desire. He seems to realize a philosopher’s concept of aesthetic perception as a pure will-less knowing. * The still-life objects bring to awareness the complexity of the phenomenal and the subtle interplay of perception and artifice in representation. (19) Still-life eng ages the painter in a steady looking that discloses new and elusive aspects of the stable object. At first commonplace, it may becomes in the course of that contemplation a mystery, a source of metaphysical wonder. (20) Still-life calls out a response to an implied human presence. The represented objects, in their relation to us, acquire meanings from the desires they satisfy as well as from their analogies and relations to the human body†¦ They are a symbol or heraldry of a way of life. (23) * Yet, though the nature of the Apples seems to deserve far richer analysis of simple line and form, the use of apples as a restraint of Cezanne’s â€Å"morbid fantasies† (29), seems to evoke some fantastical properties of its own. * Apple as a displaced erotic interest? Apple has erotic sense–symbol of love, an attribute of Venus and a ritual object in marriage ceremonies. The apple is a natural analogue of ripe human beauty (6). Philostatus, Greek writer of 200 AD, describes a painting of Cupids gathering apples in a garden of Venus, which serve as the source of Titian’s painting of the cult of Venus, and indirectly Rubens’ picture of putti carrying a parland of the fruit. * Apples (1875) For Cezanne, the apple is equivalent to the human figure. He could project typical relations of human beings as well as qualities of the larger visible world–solitude, contact, accord, conflict, serenity, abundance and luxury–and even states of elation and enjoyment. * In passing from the painting of fantasies to the discipline of observation, Cezanne made of color–the principle of art allied to sensuality and pathos in romantic painting but underdeveloped in his own early pictures of passion–the beautiful substance of stable, solid object-forms and a deeply coherent structure of the composition. It is extremely doubtful that he could have reached his goal had he followed Delacroix in his choice of subjects. But in the self-chastening process, the painting of still-life–as latent symbol and intimate tangible reality–was, perhaps more than his other themes, a bridge between his earlier and his later art. (33)

Sunday, January 5, 2020

The Emotional Link Of Attachment - 1661 Words

Introduction Attachment is one of the developmental milestones that begins during conception and remains throughout one’s life. It is defined as the â€Å"strong affectionate tie we have for special people in our lives that lead us to experience pleasure and joy when we interact with them and to be comforted by their nearness in times of stress† (Berk, 2011, p. 264). When an individual meets the child’s needs, an attachment begins to form. The primary caregiver, preferably the mother, is considered to be the initial secure base for the child. The emotional connection infants have towards their mother is what theorist Sigmund Freud believes to be the â€Å"foundation for all alter relationships† (as cited in Berk, 2011, p. 264). However, by the second half of the first year, infants begin to develop attachments towards anyone who responds to their needs. The work of psychologists Mary Ainsworth and John Bowlby embarks on deeper insight into the evolution of attachment in early childhood. Bowlby developed four phases of attachment beginning at birth: pre-attachment, attachment in the making, clear-cut attachment and the formation of a reciprocal relationship. Throughout the first three phases, nonverbal cues such as facial expressions and eye contact occur. By the final phase, infants’ language and cognitive development grow. They begin to understand separation from their primary attachment. Ainsworth created the Strange Situation test to investigate the attachment behaviors found inShow MoreRelatedInfluence Of The Early Bonds Created By Parents And Their Children914 Words   |  4 Pagesand their children. These theories on attachment have demonstrated the effect of attachment with social and emotional development and its direct relationship with future behavioral issues. Numerous studies have shown the existing links betwe en early security and insecurity in the early relationships formed by the child, and future outcomes in his teenage and adult behaviors. 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